Paul McCartney
Kisses On The Bottom
You know what you get with Katy Perry, and we get it in spades on Teenage Daydream: glistening pop hooks, ferocious paeans to hedonism and enough drive and ambition to stun a rhino.
Ms Perry clearly knows this is her moment, and the follow-up to the world-conquering One Of The Boys is a sleek, effervescent yet clinically calculated master class in pop opportunism.
The choruses, buffed to a dazzling sheen on the likes of the title track and Firework by Britney producer Max Martin, tower like skyscrapers, while Snoop Dogg-starring single California Gurls remains an irresistible delight.
Katy fares less well when she slips into Ke$ha-style party girl mode: Last Friday Night (TGIF) is fun but sags beneath a lyric that is so corny you could harvest it. While Peacock, with its playground chorus of “I want to see your peacock-cock-cock!” falls one level short of a double entendre.
She’s better on the rockier, darker-hued Circle The Drain, but by the end of Teenage Dream you feel you’ve been steamrollered by a ruthless, remorseless pop juggernaut. It will sell by the gazillion.
Kisses On The Bottom
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