Daniel seems to have taken a leaf out of sister Natasha's book with this new single - not only in the literary metaphors (remember Unwritten and These Words?), but also in the music itself, which could just as easily be a backing track from Natasha's debut. Clipped Craig David-style guitars, sharp R&B beats and talk of sonnets and song-writing all gel together rather slickly, but the sum of these no-brainer parts is a middle-of-the-road effort which is hard to get excited about. Far too predictable.