"Determinedly quirky and cool, arresting and ultimately too baffling to be satisfying, although Penn is priceless. Cultdom beckons."
"Succeeding against the odds and adroitly blending its disparate elements, this is a fine entry into the Eurodirector-gawps-at-America subgenre."
"Sorrentino has left his Italian comfort zone for this film, and found an alternative comfort zone of rock music and road-movie tropes."
"The potentially disastrous use of the Holocaust as a plot device is sensitively handled."
"There’s a lot to savour here. But too often we’re left with a carefully framed shot or travelling camera in search of an idea."
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