Monuments To An Elegy
The astonishingly prolific Damon Albarn has finally got round to his first solo album, and it's a quiet triumph.
Of course, you could easily class Gorillaz as a solo effort – visuals and guest slots aside – and operettas like Monkey – Journey To The West were Albarn acting essentially alone, but Everyday Robots sees the occasional Blur frontman laying himself bare as pretty much the only man in the room. Produced by his XL boss Richard Russell, this is Albarn picking over his past to sometimes revealing effect.
It's a melancholy record, yet unspeakably lovely with it. The moments when Albarn lifts the tempo above funereal are rare and only lighten the mood briefly: Mr Tembo (a song about a baby elephant, oddly enough) floats on an airy African groove and closer Seven Seas Of Love (with Brian Eno and a surely accidental melodic lift from Michael Jackson's Heal The World in tow) is jaunty and soothing in equal part. These aren't the heart of the album though.
That's found in the title track's mournful observations about pervasive technology, The Selfish Giant's softly jazzy but glum ruminations on a failing relationship ("It's hard to be a lover when the TV's on") and in beautiful epic You And Me's frank disclosure of days spent with "tinfoil and a lighter". In recent interviews, Albarn's been open about his previous heroin use and that confessional aura – along with reflections on his Leytonstone childhood on Hollow Ponds – suggests we're delving into the Albarn psyche.
Perhaps that's an illusion, because Everyday Robots is above all mysterious. That, and yet another classic in the career of one of our finest artists.